Lydia Kavina: recommendations for theremin composing

Hi everyone,

 read my recommendations for composers, who want to write for theremin
https://thereminschool.com/2025/12/23/composing-for-theremin/

It’s about nothing. ‘Water is wet, and the sound of a violin is triangular.’

It would be more interesting to hear, for example, about such subtleties: which passage is easier to perform — a linear one, like C-D-E-F-G, or a leaping one, like C-F-D-G-E?