" but I wonder how many recordings a tiny "niche" market like "theremin" can reasonably support. " - Coalport
This kind of reminds me of the early days of synthesis..
One had albums like "Switched on Bach" and numerous synth albums "Everything you wanted to hear on the synthesizer but were afraid to ask" ranging in quality from really good to utterly awful - there were albums from Tomita (Pictures at an exhibition) and then others which stopped brandishing the word "Synthesiser" on the title - and the synthesiser then slowly (well - not that slowly) just became an instrument one expected to hear..
IMO, albums which dont specifically state "theremin" in the title (the majority now I think) might indicate that the instrument is getting past the "early stage" seen with synthesis - "Switched on bach" sported an album cover filled with a Moog Modular - it was a revolutionary album in that it showed the instrument was not limited to the experimental niche ..
Do we really want to keep a "niche" market like "theremin"? Surely we want the theremin to be a bigger part of all sorts of music - used as an instrument for the realization of music, rather than being the primary novelty focus.
@Amey : I love your album! - No mention of the theremin on the cover, but the moment it starts, there is no doubt that this music could not exist without the theremin and without you playing it!
Fred.